Marie Buloz Pailleron (Madame Édouard Pailleron)

1879

肖像画
Marie Buloz Pailleron (Madame Édouard Pailleron)
Dimensions
211.2 × 104.4 cm
Medium
Oil on canvas
Collection
National Gallery of Art, Washington, D.C.
John Singer Sargent

United States

John Singer Sargent

1856 – 1925

Born in Italy to American parents, he spent his early years in Paris before esta…

✦ Highlights (technique & color)

The contrast between her copper curls and pale skin immediately catches the eye. With bold and fluid brushwork, Sargent masterfully renders the texture of her black silk dress and the graceful S-curve of her figure as she gathers her skirt with her left hand to reveal a white underskirt.

✦ The setting of this painting

The garden of Ronjou, the Pailleron family's summer estate near Chambéry in the Savoy region of France. It features oyster-white pathways, an expansive lawn, birch trees, and white stone garden structures.

✦ Historical context

Painted in 1879, when the 23-year-old Sargent was emerging as a prominent talent in Paris. Exhibited at the Paris Salon the following year, this work served to establish his reputation throughout the French art scene.

✦ A question to consider

Who do you think her slightly discontented expression is directed at?

A woman in a black dress stands against a vast lawn.
With her left hand, she slightly lifts her skirt, gazing towards us.
An oyster-white path stretches out at her feet.

Her name is Marie Buloz Pailleron.
It was the summer of 1879.
This portrait was painted at her summer villa near Chambéry, France.

Marie was the daughter of the founder of a prestigious literary magazine.
She was a woman of great education and intellect.
At the same time, she possessed a difficult and uncompromising personality.

The artist who painted her was John Singer Sargent.
At the time, he was a young painter, only 23 years old.

For him, who was just beginning to make a name for himself in Paris,
the commission from Marie's husband, a renowned playwright,
was an important stepping stone into high society.

Failure was not an option.
Ordinarily, one would idealize and beautify the patron's wife.

However, Sargent was different.

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