Marie Buloz Pailleron (Madame Édouard Pailleron)
1879

- Dimensions
- 211.2 × 104.4 cm
- Medium
- Oil on canvas
- Collection
- National Gallery of Art, Washington, D.C.
✦ Highlights (technique & color)
The contrast between her copper curls and pale skin immediately catches the eye. With bold and fluid brushwork, Sargent masterfully renders the texture of her black silk dress and the graceful S-curve of her figure as she gathers her skirt with her left hand to reveal a white underskirt.
✦ The setting of this painting
The garden of Ronjou, the Pailleron family's summer estate near Chambéry in the Savoy region of France. It features oyster-white pathways, an expansive lawn, birch trees, and white stone garden structures.
✦ Historical context
Painted in 1879, when the 23-year-old Sargent was emerging as a prominent talent in Paris. Exhibited at the Paris Salon the following year, this work served to establish his reputation throughout the French art scene.
A woman in a black dress stands against a vast lawn.
With her left hand, she slightly lifts her skirt, gazing towards us.
An oyster-white path stretches out at her feet.
Her name is Marie Buloz Pailleron.
It was the summer of 1879.
This portrait was painted at her summer villa near Chambéry, France.
Marie was the daughter of the founder of a prestigious literary magazine.
She was a woman of great education and intellect.
At the same time, she possessed a difficult and uncompromising personality.
The artist who painted her was John Singer Sargent.
At the time, he was a young painter, only 23 years old.
For him, who was just beginning to make a name for himself in Paris,
the commission from Marie's husband, a renowned playwright,
was an important stepping stone into high society.
Failure was not an option.
Ordinarily, one would idealize and beautify the patron's wife.
However, Sargent was different.
About 117 more words
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