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Mädchen im Grünen (Girl in the Foliage)

肖像画ウィーン分離派
Mädchen im Grünen (Girl in the Foliage)
Dimensions
32.4 × 24 cm
Medium
Oil on canvas
Collection
Klimt Foundation (on loan to the Belvedere)
Gustav Klimt

Austria

Gustav Klimt

1862 – 1918

One of Vienna's foremost Symbolist painters active from the late 19th to early 2…

Liberated from the conventions of formal portraiture, this painting embodies a gaze of pure tenderness toward a beloved woman. Amidst the lush, untamed greens of nature, it endures as an intimate testament to love, preserving the fresh brilliance of a single moment for all time.

✦ Highlights (technique & color)

A striking contrast in painterly density between the center and the periphery defines the work. The young woman's features are meticulously rendered with delicate, feather-light brushwork. In contrast, the surrounding foliage is captured with rapid, impasto-heavy strokes, punctuated by a vivid splash of bright green above her left shoulder.

✦ The setting of this painting

Set outdoors against a backdrop of deep green foliage, the work features an intimate, close-up composition that is exceptionally rare in Klimt's oeuvre. Captured in the embrace of natural light, it portrays a fleeting moment with remarkable fidelity, even rendering the constriction of the young woman's pupils under the bright sun.

✦ Historical context

Around 1898 was a turbulent and pivotal time for Klimt: he co-founded the Vienna Secession as its first president and mounted its inaugural exhibition. At the same time, he was establishing himself as a sought-after portraitist among Vienna's haute bourgeoisie, while freely exploring the play of light in an Impressionist vein through his private works.

✦ A question to consider

Standing before this painting, what do you discover in the depths of her eyes?

A young woman in a pure white blouse stands against a backdrop of deep green foliage.
Her straw hat is cocked at a stylish angle, and her pale blue eyes gaze directly forward.
It is a refreshing portrait, capturing a fleeting moment bathed in bright sunlight.
She wears a Girardi hat, which was in great vogue in Vienna at the time.
Her blouse features a high collar and voluminous puffed sleeves.
Dressed in the height of contemporary fashion, she was long regarded as simply a "nameless girl."
For decades, the identity of the sitter remained entirely unknown.

Yet in recent years, research has brought a name to light:
Marie Ucicka.
She was Gustav Klimt's lover, and the mother of his first child.
Marie was born in the Bohemian town of Karolinenthal.
Raised in poverty, she moved to Vienna with her mother, Theresia.
Life in the great metropolis was far from easy.
They worked tirelessly as seamstresses and cleaners just to scrape by.

In 1898,
the two met at the Dominican Church in Vienna.
Marie was eighteen; Klimt was thirty-six.
At the time, Klimt was navigating a turbulent period, having just co-founded the Vienna Secession.
He was embarking on his career as a celebrated portraitist to the grand bourgeoisie.
An artist sought after by the women of high society—
and yet, it was this impoverished working-class girl who captured his heart.

She became Klimt's model, and eventually his lover.
Then, on July 6, 1899,
Marie gave birth to Klimt's first child, a son named Gustav.
Klimt sent her a telegram with these words of celebration:
"Heartfelt congratulations on happily overcoming the difficult ordeal, and on the arrival of the little prince."
Their son, Gustav, would grow up to become a prominent and celebrated director in Austrian cinema.

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