Les Constructeurs au vélo
1950

Tall steel frameworks and men working on them. The thick, free lines of ink give the entire canvas a robust sense of immediacy.
The painter Fernand Léger is often said to have celebrated the 'beauty of machines', and that the humans depicted in his works were inorganic, robot-like beings. However, in this series painted in 1950, what he aimed for was quite the opposite.
In fact, he did not want to depict humans subservient to machines. Rather, he depicted humans striving for 'freedom' even within the rigid order of metal. For Léger, this was humanity triumphing over machinery.
About 358 more words

Unlock this story's ending, and every article on MusicStory
- 42
Stories1–2 new every week
An archive of paintings paired with great music, made for a weekend night and a cup of coffee
- 282
Paintings with commentarygrowing daily
From simply looking to truly reading — the brushwork and the obsession of the masters
- 10
Music Librarygrowing daily
Know it first, and what reaches your ear changes — background music becomes art you keep for life
My Notes, unlimited
Every reading adds to a digital art notebook that is yours alone
Already have an account? Log in
Your Note
Write down what this painting made you feel in your art notebook.
Please sign up to write notes.
Sign up for freeRecommended Artworks
Sources & references
More artists
If you find an error in this content, please let us know here
This site is protected by reCAPTCHA, and the Google Privacy Policy and Terms of Service apply.



















