The Storm

1880

PassionBoldness

Dark, gathering clouds and vegetation violently whipped by the wind. A young couple rushes through, as if escaping the threat of such a raging nature.

Yet, there is no fear or despair on their faces.

As they hold a translucent, thin cloth above their heads to shield themselves from the rain, their expressions reveal youthful smiles of joy, as if they are rather enjoying this sudden incident together.

This work, unveiled at the 1880 Salon, achieved immediate and immense success.

In fact, at the time, the painting sparked considerable discussion among critics regarding 'which story's scene it depicted.'

Was it the ancient Greek pastoral romance Daphnis and Chloe, or the 18th-century French novel Paul et Virginie?

The latter, in particular, contains a famous scene strikingly similar to this painting, where the heroine lifts her overskirt to use as an umbrella, laughing and running close to the young man.

The painter Pierre-Auguste Cot, while drawing inspiration from classical literature, did not merely create an illustration, but elevated it to a sweet, idealized beauty through the exquisitely refined and smooth brushwork characteristic of academic art.

The ominous darkness of the approaching storm in the background, the vitality of the lovers shining as if bathed in a spotlight, and the sensual beauty evoked by the drapery dancing in the wind.

Perhaps it is this dramatic contrast, transforming even the threat of nature into a stage setting that enhances their intimacy, that allowed this painting to capture the hearts of the wider public and continue to be loved across generations.

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19世紀後半のフランスにおけるアカデミズム絵画を代表する画家。 トゥールーズの美術学校で学んだ後、パリへ進み、ウィリアム・ブグローやアレクサンドル・カバネルとい…

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